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The Safflower

The Safflower is a profound exploration of liminal thresholds and natural entropy, where mechanistic noise and organic, musical movements coincide in whorls of vanishing emergence. Like a sensory double-take, this work reveals an enduring presence despite its apparent fragility; in collapsing, hypothetical enclosures, one discovers that the ethereal veil has been carved from stone. Sarah Pagé and Sandro Nicolussi present a dialogue between traditional instrumentation and multimodal signal processing within which, dispersing into atmospheric aether, sound becomes unbarred and free.

Info

Formats

Digital, Cassette & Compact Disc

Release date

May 15, 2026

Recorded on

February 21, 2026

Bonus content

Study I, January 29 Study II, February 12

Catalog #

ETX010

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Credits

Production

Ben Domanico-Huh & Samuel N. Ortiz

Design

Ben Domanico-Huh

Artwork

Ricardo Marcin

Performed By

Photo of Nicolussi

Sandro Nicolussi

Nicolussi

Vienna, Austria

Sandro Nicolussi is a musician shaped by his prolific work as a media artist, cultural worker, label operator and music journalist. Nicolussi’s approach is self-taught, transdisciplinary and firmly rooted in the DIY environment of local and international noise scenes. His compositions are created in a process-oriented, playful and collaborative context. Due to his strong community orientation, Nicolussi strives for peer production and anti-gatekeeping.

Photo of Sarah Pagé

Sarah Pagé

Montréal, Canada

To encapsulate the career of Montreal-based harpist Sarah Pagé, one would have to draw long, constellation-like shapes across genres, borders and histories. While perhaps best known as a founding and longtime member of roots rockers The Barr Brothers, a brief consideration of her resume reveals the fact that she’s equally at home within traditions as without them. Her first two solo LPs, Dose Curves and Voda, affirm this versatility and reveal Pagé as one of Canada’s most accomplished experimentalists.