Wave Farm Transmission Art Residency
Exposure Therapy (ETX) is a remote artist collective, virtual residency, and record label producing hand-made, archival physical media. At its core is the Live Session, where two newly-acquainted artists in distinct geographical locations collaborate on a piece of music. The live, improvised, long-form performance is broadcast online, complete with post-performance interview and discussion.
About Exposure Therapy
ETX is the fledgling project of co-founders, hosts, and producers Ben Domanico-Huh and Samuel N. Ortiz, friends and collaborators living in Oakland, California and south central Pennsylvania, respectively. ETX creates space for improvisation and imperfection, prioritizing human artistry in a moment when algorithm-driven platforms and AI-generated music are making discovery and connection harder. The goal of ETX is not to chase industry metrics but to cultivate what Brian Eno described as “scenius”: a scene that thrives on shared intelligence and creativity.
Each project we organize reflects different aspects of our identity. The core element of Exposure Therapy is the Live Session: an online, live-streamed performance occurring in real-time. Artists are introduced to the project, to our format, and after initial onboarding, to The Collective, where they may immediately partake of community prior to the broadcast. The process of participating in a session is similar to a residency, in that artists are immersed in a structured but open-ended experience that connects them to new collaborators. The community that forms around these projects functions like a collective, where artists can continue to share knowledge and support each other long after their initial participation.
ETX and WAVE FARM
Exposure Therapy is applying to the Wave Farm Transmission Arts Residency as The Collective. Informed by our Chromesthesia series and its use of structured improvisational frameworks, we would develop a new transmission piece shaped by site-specific constraints. Inspired by the graphic scores of György Ligeti and John Cage, this project will explore the use of geographically and historically informed graphic notation as a loose framework for remote performers, functioning as points of departure for the creation of improvised, long-form experimental ambient music.
The resulting recordings may be revisited, assembled, or left intact prior to becoming part of the new transmission work. Accompanying materials, such as prints or visual artifacts, may emerge alongside the process, reflecting aspects of the score, the environment, or the act of making. We are hoping the work will invite a balance between individual interpretation and a shared center, shaped in part by the histories and geography of Wave Farm.